Lesson

Expand your blues repertoire with this lesson on how to play Greg Koch’s Mean Streak

Many several years back, I experienced a band called Greg Koch and Tone Controls, and in 1993 we released our to start with album, eponymously named. The audio that we played was mostly blues-based mostly, but we frequently tried out to thrust the ball down the discipline a very little bit by incorporating some unpredicted chord adjustments and harmonic equipment. A very good case in point is the track Mean Streak, which will be the target of this lesson.

Mean Streak is a funk shuffle in the critical of G that stays within the “blues changes” parameters, ahead of venturing into a a lot more strange and harmonically complicated turnaround, as demonstrated in Figure 1

Throughout this two-bar phrase, I start out with E7#9#5, voiced with a broad extend that spans the 3rd-to-7th frets, adopted by A7#5 – D7#9 – Ab13. As you can see, a significant F notice resides at the best of these last three chords, serving as a common tone although the inherent harmony develops beneath it. 

(Image credit score: Long term)

In Figure 2, I exhibit how this turnaround functions within the composition of the tune across the total 14-bar variety. 

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